Professor of Comparative Literature
Research InterestsGerman Intellectual History, Eighteenth- and nineteenth-century European literature, Romanticism, Naturphilosophie, Philosophical History of Technology
Curriculum Vitae (Academia.edu)
Jocelyn Holland's research projects tend to emerge at the intersection of literary, philosophical, and scientific thinking, usually in the eighteenth- and nineteenth-century European context. Her first book, German Romanticism and Science, analyzes how models of procreation in the natural sciences from the end of the eighteenth century were used to test out speculative theories of production, generation, and creativity in German Romanticism. Her most recent book, The Lever as Instrument of Reason, explores how the lever and models of static and dynamic equilibrium became part of a conceptual apparatus that was imported into contexts as diverse as Kant's pre-critical writing, Naturphilosophie, and empirical psychology in the decades surrounding 1800.
Over the past few years, her work has been increasingly dedicated to historicizing the "question of technology" from the vantagepoint of eighteenth-century Germany by examining it from various angles: as a translated word, a concept, a science, an academic discipline, and an economic challenge. These different aspects of technology converge in a book she is writing for Brill's series Technology and Change in History. Provisionally titled Discoveries in an Overlooked Discipline: Theories of Technology in the Long Eighteenth Century, the project is devoted to a corpus of technological dictionaries, treatises, and instructual manuals by Johann Beckmann, Johann Jacobsson, Georg Lamprecht, and Johann Poppe. This project has two main goals. The first is to provide annoted translations that will make the writing of those self-avowed "technologues" accessible to an Anglophone audience for the first time. The second is, through a series of essays, to provide a broad theoretical engagement with the many challenges facing the nascent "science" of technology. Ultimately, this project should make new connections between eighteenth-century contributions to the philosophical history of technology and those more familiar to us from the ninenteenth and twentieth centuries.
Richard Sussman Prize for work on Goethe in the History of Science. Awarded for the essay, “Observing Neutrality, circa 1800.”
Single Authored Books
The Lever as Instrument of Reason. Technological Constructions of Knowledge around 1800. (Under contract with Bloomsbury. Expected publication date April 2019)
Key Texts on the Science and Art of Nature by Johann Wilhelm Ritter. (Brill, 2010).
German Romanticism and Science: the Procreative Poetics of Goethe, Novalis and Ritter. (Routledge, 2009).
Co-Edited Journal Editions
With Gabriel Trop, Statics, Mechanics, Dynamics: Theories of Equilibrium around 1800. In Germanic Review (Spring 2017).
With Wolf Kittler, Keeping Time. Scientific Theory and Cultural Practice. InConfigurations (July 2015).
With Edgar Landgraf, The Archimedean Point. From Fixed Positions to the Limit of Theory. In SubStance (2014).
With Rüdiger Campe and Elisabeth Strowick, Observation in Science and Literature. In Monatshefte (Fall 2013).
With Susanne Strätling, Aesthetics of the Tool: Technologies, Figures, and Instruments of Literature and Art. In Configurations (July 2011).
"Beyond Death: Posthuman Perspectives in Christoph Wilhelm Hufeland'sMacrobiotics" in Edgar Landgraf, Gabriel Trop and Leif Weatherby, eds.,Posthumanism in the Age of Humanism (in press, expected publication 2018).
"Der Hebel als Modell des Menschen," in Maschinen des Lebens - Leben der Maschinen. Zur historischen Epistemologie und Metaphorologie von Maschine und Leben Jakob Heller, Tim Sparenberg und Patricia Gwozdz, eds. (Kadmos Verlag), in press, expected publication 2018.
"Literature, Time, and Scientific Revolutions," in Thomas Allen, ed., Time and Literature, Cambridge Critical Concepts series (Cambridge UP).
"The Silence of Ritter's," Special edition of the Germanic Review on "Romantic Science and Form," Antje Pfannkuchen and Leif Weatherby, eds. (2017).
"Schelling and the Art of Balance: Equilibrium in the Philosophy of Art," inStatics, Mechanics, Dynamics: Modes of Equilibrium around 1800, edited by Jocelyn Holland and Gabriel Trop in Germanic Review (Spring 2017).
"Balancing Acts: Equilibrium in Romanticism and Nature Philosophy around 1800" in New Work on German Romanticism, special edition of theRomantic Circles Praxis Series, edited by Zachary Sng.
"Observing Neutrality, circa 1800" in Goethe Yearbook 23 (2016), 41-57.
"In the Spirit of "clever inventions and constellations": the Mechanics of Romantic Systems (special edition of Praxis on "Romantic Systems," edited by Mark Canuel (2016).
"Facts are what one makes of them. Constructing the Faktum in the Enlightenment and Early German Romanticism." Fact and Fiction: Literature and Science in the German and European Context, edited by Christine Lehleiter. University of Toronto Press, 2016.
"A Natural History of Disturbance: Time and the Solar Eclipse" in Keeping Time: Scientific Theory and Cultural Practice, edited by Jocelyn Holland and Wolf Kittler (Configurations 23.2, Spring 2015).
"Sailing Ships and Firm Ground: Archimedean Points and Platforms" in The Archimedean Point. From Fixed Positions to the Limit of Theory, special issue of SubStance 43 (2014), Jocelyn Holland and Edgar Landgraf, eds.
"Zeugung / Fortpflanzung. Distinctions of Medium in the Discourse on Procreation around 1800." In Reproduction, Race, and Gender in Philosophy and the Early Life Sciences, edited by Susanne Lettow, ed. (SUNY Press, 2013).
"Angeln, Blatt, Constellation: Plural Forms in Nietzsche's 'Ueber Wahrheit und Lüge im aussermoralischen Sinne.'" MLN (2012).
"From Romantic Tools to Technics. Heideggerian Questions in Novalis's Anthropology." in Aesthetics of the Tool: Technologies, Figures, and Instruments of Literature and Art. In Configurations (July 2011).