Film (F) Courses (2017-18)
Hum/F 50. Introduction to Film Studies. 9 units (3-0-6): third term. This course examines film as a technology, entertainment medium, and commercial art with an emphasis on American and European contexts. Students will acquire the basic vocabulary and techniques of film analysis, with an emphasis on style and structure, and develop an understanding of the historical development of film as both an art form and an industry from 1895 through the twentieth century. Topics covered may include the early cinema of illusion, the actuality film, German expressionism, the Hollywood star system, Italian neo-realism, the French New Wave, and Dogme 95. Instructor: Jurca.
L/F 109. Introduction to French Cinema from Its Beginning to the Present. 9 units (3-0-6): first term. This course will introduce students to the artistic style and the social, historical, and political content of French films, starting with Méliès and the Lumière brothers and working through surrealism and impressionism, 1930s poetic realism, the Occupation, the New Wave, the Cinema du look, and the contemporary cinema. The class will teach students to look at film as a medium with its own techniques and formal principles. Conducted in English. Instructor: Orcel.
En/F 160 ab. Classical Hollywood Cinema. 9 units (3-0-6): first term. This course introduces students to Hollywood films and filmmaking during the classical period, from the coming of sound through the '50s. Students will develop the techniques and vocabulary appropriate to the distinct formal properties of film. Topics include the rise and collapse of the studio system, technical transformations (sound, color, deep focus), genre (the musical, the melodrama), cultural contexts (the Depression, World War II, the Cold War), audience responses, and the economic history of the film corporations. Terms may be taken independently. Part a covers the period 1927-1940. Part b covers 1941-1960. Instructor: Jurca.
En/F 161. The New Hollywood. 9 units (3-0-6): third term. This course examines the post-classical era of Hollywood filmmaking with a focus on the late 1960s through the 1970s, a period of significant formal and thematic experimentation especially in the representation of violence and sexuality. We will study American culture and politics as well as film in this era, as we consider the relation between broader social transformations and the development of new narrative conventions and cinematic techniques. We will pay particular attention to the changing film industry and its influence on this body of work. Films covered may include Bonnie and Clyde, The Wild Bunch, The Last Picture Show, Jaws, and Taxi Driver. Not offered 2017-18.